This is the second of two planned entries on action scenes as vehicles for character moments in wuxia, and particularly in Jin Yong's oeuvre. The first, which discusses a major fight scene in Demi-Gods and Semi-Devils (天龙八部), can be found here. This post will discuss a key action scene from The Smiling Proud Wanderer (笑傲江湖).
( spoilers for The Smiling Proud Wanderer )
Jin Yong has, of course, written a number of romantic sword-based action scenes, among them Yang Guo (杨过) and Xiaolongnu (小龙女) fighting side-by-side using different but perfectly complementary techniques in Return of the Condor Heroes (神雕侠侣), and Zhao Min (赵敏) pulling three suicidal moves in a row in order to save Zhang Wuji's (张无忌) life in The Heaven Sword and the Dragon Sabre (倚天屠龙记). But for my money, this is his best swordfighting-as-romance scene to end all swordfighting-as-romance scenes.
( spoilers for The Smiling Proud Wanderer )
Jin Yong has, of course, written a number of romantic sword-based action scenes, among them Yang Guo (杨过) and Xiaolongnu (小龙女) fighting side-by-side using different but perfectly complementary techniques in Return of the Condor Heroes (神雕侠侣), and Zhao Min (赵敏) pulling three suicidal moves in a row in order to save Zhang Wuji's (张无忌) life in The Heaven Sword and the Dragon Sabre (倚天屠龙记). But for my money, this is his best swordfighting-as-romance scene to end all swordfighting-as-romance scenes.